Friday, February 8, 2019
Claude Monet: Grainstack (Sunset) Essays -- essays papers
Claude Monet Grainstack (Sunset)Claude Monets Grainstack (Sunset) is the painting I chose from the Boston Museum of very hygienichead humanities. Monet was an impressionist painter in France, and did most of his work at his mob at Giverny. Impressionism got its name from a painting that Monet painted, Impression Sunrise. Impressionist paintings argon put into a category based on characteristics such as light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon flavor at the paintings. Impressionist paintings are art for arts sake and tenseness on leisure and nature. These paintings are generally the most well cognize and popular paintings because of their attractive appearance. The Grainstack (Sunset) was painted between 1890 and 1891, and is a part of Monet?s first true series paintings. During the time of this series was painted, at that place was a lot of unrest going on in Europe. Many of the study(ip) cities were experien cing industrial growth, and it was causing the people to suffer from a magnitude of affectionate problems. There were high rates of suicide, and anarchist groups. Over the years to follow, 1889 to 1894, there were at least 600 strikes involving 120,000 workers. There were bombings, raids, and wide spread fear crosswise the country. It was during this time period that Monet was going to establish himself as one of the study painters of the country.As the viewer looks at this painting, they are taken into a dental platespun scene. You notice first the grainstack as the major object in the painting. As you move around the painting, there are many striking areas of light. The sundown causes a brilliant display of colors around the scene. The sky is attenuation in the background as the sun sundowns. There is a gloomy amount of blue still hanging in the sky, and under that a large portion of a yellow hue from the sun setting. As the suns sets further it cause a pink color above th e land. The old has cause the grainstacks color to darken. You can see that the light left in the scene is on the other side of the stack. There is a keister cast of the back side, making the stacks top dark brown, and the seam a dark red. The boorish scene in the Grainstack (Sunset), as well as the other grainstacks in his series paintings, all basically cope many of the same characteristics. The haystacks are never overwhelmed by light. As in the Grainstac... ...ainting and finding out what is behind it makes the work a lot to a greater extent than interesting. Monet?s grainstacks have not only taught me about him as a painter and why he painted as he did, however also about France and what was going on during this period. His works are a beautiful representation of what life was like, and what Monet was experiencing right in his own backyard. Bibliographyhay Tucker, Paul. Monet in the 90?s Series picture shows. Boston Museum of beautiful liberal arts New Haven Yale Univ ersity Press, 1989.hay Tucker, Paul. Monet in the Twentieth Century. Boston Museum of picturesque Arts New Haven Yale University Press, 1998.Frascina, Francis. Modernity and Modernism French paint in the Nineteenth Century. New Haven Yale University Press, 1993.Gerdts, William H. Monet?s Giverny An Impressionists Colony. New York Abbeville Press, 1993.Copplestone, Trewin. The report and Techniques of the Great Masters Monet. New Jersey Chartwell Books, 1987.Tomkins, Calvin. ?Monet?s Illusion.? Vanity Fair. July 1995, Vol. 58 Issue 7 pg. 96-102.Hurwitz, Laurie S. ?The Well Planned Spontaneity of Claude Monet.? American Artist. present 1996, Vol. 60 Issue 644 pg. 56-64. Claude Monet Grainstack (Sunset) Essays -- essays papersClaude Monet Grainstack (Sunset)Claude Monets Grainstack (Sunset) is the painting I chose from the Boston Museum of book Arts. Monet was an impressionist painter in France, and did most of his work at his home at Giverny. Impressionism got it s name from a painting that Monet painted, Impression Sunrise. Impressionist paintings are put into a category based on characteristics such as light that draws attention to objects, rough textures, and visual pleasure that the viewer receives upon flavor at the paintings. Impressionist paintings are art for arts sake and direction on leisure and nature. These paintings are generally the most well cognize and popular paintings because of their attractive appearance. The Grainstack (Sunset) was painted between 1890 and 1891, and is a part of Monet?s first true series paintings. During the time of this series was painted, there was a lot of unrest going on in Europe. Many of the major cities were experiencing industrial growth, and it was causing the people to suffer from a magnitude of friendly problems. There were high rates of suicide, and anarchist groups. Over the years to follow, 1889 to 1894, there were at least 600 strikes involving 120,000 workers. There were bombings, rai ds, and wide spread fear crossways the country. It was during this time period that Monet was going to establish himself as one of the major painters of the country.As the viewer looks at this painting, they are taken into a rural scene. You notice first the grainstack as the major object in the painting. As you move around the painting, there are many striking areas of light. The sunset causes a brilliant display of colors around the scene. The sky is fading in the background as the sun sunsets. There is a belittled amount of blue still hanging in the sky, and under that a large portion of a yellow hue from the sun setting. As the suns sets further it cause a pink color above the land. The sunset has cause the grainstacks color to darken. You can see that the light left in the scene is on the other side of the stack. There is a trace cast of the back side, making the stacks top dark brown, and the goat a dark red. The rural scene in the Grainstack (Sunset), as well as the othe r grainstacks in his series paintings, all basically administer many of the same characteristics. The haystacks are never overwhelmed by light. As in the Grainstac... ...ainting and finding out what is behind it makes the work a lot more interesting. Monet?s grainstacks have not only taught me about him as a painter and why he painted as he did, unless also about France and what was going on during this period. His works are a beautiful representation of what life was like, and what Monet was experiencing right in his own backyard. BibliographyHayes Tucker, Paul. Monet in the 90?s Series Paintings. Boston Museum of Fine Arts New Haven Yale University Press, 1989.Hayes Tucker, Paul. Monet in the Twentieth Century. Boston Museum of Fine Arts New Haven Yale University Press, 1998.Frascina, Francis. Modernity and Modernism French Painting in the Nineteenth Century. New Haven Yale University Press, 1993.Gerdts, William H. Monet?s Giverny An Impressionists Colony. New York Abbeville Pr ess, 1993.Copplestone, Trewin. The account statement and Techniques of the Great Masters Monet. New Jersey Chartwell Books, 1987.Tomkins, Calvin. ?Monet?s Illusion.? Vanity Fair. July 1995, Vol. 58 Issue 7 pg. 96-102.Hurwitz, Laurie S. ?The Well Planned Spontaneity of Claude Monet.? American Artist. shew 1996, Vol. 60 Issue 644 pg. 56-64.
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